The 2nd Auckland Triennial, 20 March - 30 May 2004, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand, Aotearoa.
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Identity and Hybridity
Love, Joy, Despair...
Private Desires
Public / Private Surveillance
Social Structures
The Divided Self

Social Structures


Catherine Rogers

(Australia)

Selected Solo Exhibitions

2003 Photographs of home, Mori Gallery, Sydney, Australia 2001 Deconstructed city, Mori Gallery, Sydney, Australia 1998 Photographs (old and new dreams), Mori Gallery, Sydney, Australia 1995 inSignificant moments, aGOG, Canberra, Australia 1994 Attempting democracy: it's a flat flat flat flat world, ARTSPACE, Sydney, Australia

Selected Group Exhibitions

2002 In/Site, curator Ewen McDonald, SOFA Gallery, Christchurch, New Zealand 2001 Indicium, curator Michael Crayford & Lyndel Wischer, Insa Art Space, Seoul, Korea 2000 Current shifts - four photographers, Helen Maxwell Gallery, ACT 1996 Reservoir, curator Ewen McDonald, Lake Macquarie City Art Gallery, NSW, Australia 1994 Sydney photographed, curator Linda Michael, Museum of Contemporary Art, Sydney, Australia

Selected Bibliography

Best, Sue, Sydney photographed, Museum of Contemporary Art, Sydney, 1994, p 43, 56, 57. Ewington, J, 'Autumn in November', Art Monthly, Dec/Jan, 1990/1991 Gibbs, Anna, 'Lost and found: memory and myth in the urban landscape, Indicium, Penrith Regional Gallery, Sydney, 2001, pp 22-28 Gibbs, Anna, V Nightingale, Catherine Rogers, Attempting democracy, Artspace Sydney, 1994 Grace, Helen, 'A shroud of evidence', Photofiles: an Australian photography reader, Power Publications and Australian Centre for Photography, Sydney,1999, pp 261-268. Renner, Eric, Pinhole photography: rediscovering a historical technique, Focal Press, Boston, 1994 & 2000, p 82 & p 87, 90, 91.


Catherine Rogers
ENLARGE  ENLARGE.
Catherine Rogers
Photographs of home, 1996 – 2003
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