The Divided Self

Julia Morison

(NZ/Aotearoa)

Selected Solo Exhibitions

2003 no names for things no string for Jonathan Smart Gallery, Christchurch 2002 Teaching Aids, Waikato Museum of Art & History. Hamilton; Angels & Flies, Jonathan Smart Gallery, Christchurch 1999 Amperzand, Jensen Gallery, Auckland 1998 Material Evidence: 100-headless woman, (with Martin Grant), Adelaide Festival, Australia 1997 Stuttering, GowLangsford Gallery, Auckland

Selected Group Exhibitions

2001 Prospect 2001, curator Lara Strongman, City Art Gallery, Wellington 2000 The Numbers Game, curator Zara Stanhope, Adam Gallery, Victoria University, Wellington 1994 Localities of Desire, Museum of Contemporary Art, Sydney, Australia 1993 Mediatrix Love Philtres, curator Priscilla Pitts, ARTSPACE, Auckland Govett-Brewster Gallery, New Plymouth, NZ 1991 Headlands, MCA, Sydney, Australia; The Boundary Rider/ Biennale of Sydney, Sydney, Australia

Selected Bibliogaphy

Curnow, Wystan, New Zealand Modernism - In Context, Paintings from the Gibbs Collection, James Ross (ed), 1996. Curnow, Wystan, Amalgame, catalogue essay, Cadran Solaire. Moët & Chandon Foundation, France, 1990. Hurrell, John, Teaching Aids: j.morison@fina.canterbury.ac.nz, catalogue essay, Waikato Museum of Art & History, 2002. Knox, Elizabeth, Privacy: Julia Morison , catalogue essay, Jonathan Jensen Gallery, 1993. Leonard, Robert & Stuart McKenzie, Decan , catalogue essay, Tuscan Press, 1989. Leonard, Robert, Exhibits, ARTSPACE & National Art Gallery. 1988. McKenzie, Stuart,. 'A Word on Dumbness in the Thick of Speech', Now, See Hear, Victoria University Press for Wellington City Art Gallery, 1990. Smith, Allan & Anna Smith, Material Evidence: 100-headless woman, catalogue essay, Wellington City Gallery and Govett-Brewster Gallery, 1998. Webb, Evan, 'Julia Morison: art as the history of oneself', Art New Zealand, no 39, 1986, pp 44-47. Zalenka, Gloria, 'ove philtres and melting moments'. Mediatrix. ARTSPACE, Auckland, 1993